Peter Brook directed the 1960s stage and screen versions of Peter Weiss’ Marat/Sade, which is arguably the 20th century’s best post-Brecht political...
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23 May 2017
TEN FILMS THAT SHOOK THE WORLD,
A Cinematic Centennial Celebration of...
20 May 2017
I recently reviewed Rajko Grlić’s The Constitution, the gala screening that launched the 12th annual South East European Film Festival, writing that...
16 May 2017
One of the wonderful things about the page, stage and screen is how they can introduce us to historical figures and eras, often long ago and far away. This...
14 May 2017
Set against the backdrop of the United Farm Workers’ struggle, the best thing about playwright/director Diane Rodriquez’s The Sweetheart Deal is its...
13 May 2017
The REDCAT revival of Wallace Shawn’s 1996 The Designated Mourner is eerily timely, opening amidst the tyrannical Trump regime’s ongoing attack on its...