White woman in a black suit with white shirt underneath and necklace with shoulder length brown hair standing at a mic with a blue background, her mouth in a form like she's talking

Last month, Ohio’s lieutenant governor Mary Taylor made headlines by not getting the endorsement for governor from her state party and subsequently putting them on blast for doing so. In a speech madeto the Ohio Republican Party’s State Central Committee on February 9, Taylor – who is up against Ohio’s attorney general Mike DeWine for the gubernatorial nomination following months of reshuffling within the party– did not hold back. She opened her remarks by calling the venue “Mike DeWine’s living room,” thanked the press for coming so they could televise DeWine’s “coronation,” and went on to slam his campaign for its “air of inevitability” as well as the Ohio Republican Party for “all of the good ol’ boy bullying and backroom deals that have gotten us to this point.” By the end of her speech it was clear Taylor wasn’t actually gunning for the endorsement, nor did she want it in the unlikely event she received it.

Drawing of a side view of a woman all pink she's looking up and her hair is in a bun and there are squiggly lines around a circular area around her and the words International Women's Day

 

With the World Economic Forum's 2017 Global Gender Gap Report findings telling us that gender parity is over 200 years away, there has never been a more important time to keep motivated and #PressforProgress. And with global activism for women's equality fuelled by movements like #MeToo, #TimesUp and more there is a strong global momentum striving for gender parity. There's a very strong and growing global movement of advocacy, activism and support. Now, more than ever, there's a strong call-to-action to press forward and to motivate and unite friends, colleagues and whole communities to think, act and be gender inclusive. International Women's Day is not country, group or organization specific. The day belongs to all groups collectively everywhere. So together, let's all be tenacious in accelerating gender parity. Collectively, let's all Press for Progress!

Red brick apartments with a big green tree in a courtyard in the middle

A thriving community where wisdom prevails is the Columbus Metropolitan Library’s vision and mantra. But this doesn’t apply anymore to the Main Library’s next door neighbor the Grant Oak apartment complex, a quasi affordable dorm for college students attending CCAD, Franklin University and Capital University. And much like many lower-income peoples who were living downtown (ie, Bollinger Tower), they too are set to be thrown out into the cold.

Grant Oak, seven red-brick buildings built in the 1940s, was sold in January by the library’s Board of Trustees to the city’s pet developer the Pizzuti Companies for $1.26 million even though the Franklin County Auditor’s Office valued the property at $3 million. Thus the library, which could always use the money, shorted themselves roughly $1.75 million in taxpayer’s dollars.

True, Pizzuti Companies had the inside track because they were recently under contract to oversee ten other library construction projects, but $1.75 amounts to a lot of books and other services that could be utilized by the numerous collegians and high schoolers who use the libraries to further themselves.

Close up of white man's face with brown hair and blue button down shirt and tie in front of a flag, his eyebrows a bit raised

Columbus Monthly’sDecember 2017 issue has an article about former city attorney Richard Pfeiffer, who retired that month after holding the job since 2003. The magazine portrays him as having beliefs similar to what supporters of reform have been saying about the city government. Three of his most significant views are discussed here.    

Campaign finance reform

The article says Pfeiffer is “wary of . . . the big money flooding into elections.” It quotes him: “People don’t give you all that money because they think you’re an intellectual, that you’re going to give good judgment. They want you to do something.”

The article also states he “frequently mentions his discomfort with the increasingly blurred lines of campaign finance and corruption.”   

Supporters of campaign finance reform in Columbus have been concerned about the large amounts of money in local elections and the desire of big donors to want something, which they often get. Another troubling situation is the inability of local candidates to have their messages heard by the public unless they’re backed by big money.

Young white woman in a white blouse, vest and hair pulled back sitting on a couch with hands clasped looking irritated

Will the #MeToo/Time’s Up movement have a lasting effect on Hollywood? Too soon to say, obviously, but it’s already had a profound effect in the short term. In the weeks and months leading up to the March 4 Academy Awards ceremony, several men have seen their fortunes fall thanks to the film industry’s long-overdue revolt against sexual harassment. To recap:

▪ Harvey Weinstein: The mogul whose alleged serial abuse sparked an entire movement has been ejected from both his own film company and the Academy of Motion Picture Arts and Sciences, which means he’s been uncharacteristically absent from this year’s Oscar competition. 

▪ Kevin Spacey: The actor was deleted, post-production, from All the Money in the World after being accused of sexually assaulting underage males. Making a terrible situation even worse, he issued a kind of non-apology apology combined with the ill-timed announcement that he’d decided to come out as a gay man. (Christopher Plummer was brought in to reshoot his scenes and won an Oscar nomination for his efforts, making him perhaps the only male celeb who’s benefited from the movement.)

The week before British playwright Terry Johnson’s stage version of Charles Webb’s 1963 novella The Graduate and Buck Henry and Calder Willingham’s 1967 screenplay premiered at Laguna Playhouse, I happened to re-watch the classic movie on the IFC or Sundance Channel. I was struck by a number of things and wondered how could one translate its cinematic language to the medium of theatre, with real life movie star Melanie Griffith stepping into the role Anne Bancroft immortalized, that lecherous lush Mrs. Robinson?

After all, its helmer, Mike Nichols - who actually had previously been a theatre director whose movie debut was the 1966 adaptation of Edward Albee's Who’s Afraid of Virginia Woolf? - won the Best Director Oscar for The Graduate, which was only his second movie. And it was lensed by legendary director of photography Robert Surtees, who won three Best Cinematography Oscars, including for 1959’s Ben-Hur, and was Oscar-nommed another dozen times, including for The Graduate.

Female superhero comicbook character wearing a tight blue onesie, a red belt, gold epaulets on the shoulders. short blonde hair very spiky against a blue sky with clouds

Since Pepper Potts in the very first Iron Man movie in 2008, the Marvel Cinematic Universe has given us solid, well-written women – in supporting roles. And when it comes to feature films, that’s where it’s kept them. Even the testosterone-saturated DC Comics movies managed to give Wonder Woman a movie of her own – and one that stood out from the mediocrity of the rest of them – before Marvel Studios did the same for any of their women.

But there are signs that they’re slowly getting the idea: The fans of the MCU deserve movies about women, too, and not just as friends and teammates and love interests to white guys played by men named Chris.

We’ve gotten a couple good woman-led TV shows out of the MCU so far – the Captain America spin-off Agent Carter and the Netflix exclusive Jessica Jones – and the Wasp gets to share title billing for Ant-Man and the Wasp, but until recently there was only one upcoming movie on their slate with a solo female character. That would be Captain Marvel, which is already filming with Brie Larson as the title character, scheduled for next year.

I have to admit the moment that California Rapper Nipsy Hussle dropped his new “Victory Lap” I thought maybe I should roll up to the strip club, and get myself a lap dance during one of the days the dances are only 10 dollars.

Normally, I end up chatting with strippers saying, “I'm an artist-writer. This is part of my process. Don’t get me wrong. I like naked ladies. But I'm in the midst of studying a performance art piece.”

Nipsy Hussle would think what I just wrote doesn't fully address or consider the point of strip clubs. My point is that Nipsy Hussle’s new album is the first proper gangsta rap album since we've been burdened with our current president who seems to be a real killjoy.

Maybe not the first since the new regime, but still gangsta Nip gives us a little some-some we’ve been hesitant to embrace. Don't get me wrong. Nipsy isn't a fool. He and YG made “Fuck Donald Trump,” which was an anthem that got them maced by the police during the video shoot for YG's last record.

Victory Lap’s big single, “Rap N***as” is unabashed Above the Law, as in “Black Superman” meets “Broken Language.” 

Black and white photo of a black woman with shoulder length hair, black rimmed glasses, a leopard print top and a necklace

On January 23, 2018 in Kentucky a 15-year-old male student brought a handgun into Marshall County High School and killed two students and injured eighteen others. On Valentine’s Day a 19-year-old male student brought a AR-15 rifle to Marjory Stoneman Douglas High School in Florida and killed 17 students and teachers.  The next day in West Palm Beach a Port St. Lucie 14-year-old male brought two guns to school after making threats to “shoot up” the school. It’s reported that his mother insists the threat was a “joke.”

On February 19, five days later, a Florida Forest Hill High School 18-year-old student was charged with bringing a knife to school. He also had a gas mask and three days before had referred to the Las Vegas mass shooting to his classmates. On February 20, six days later, an Ohio Jackson Middle School seventh grader brought a gun to school and shot himself in the bathroom.

The backs of four people at a vigil outside one holding a sign that says Ohioans Oppose the Death Penalty

The two most recently scheduled Ohio executions were not carried out, and it’s starting to look like a fair bet the next one won’t happen either. In November, a failed execution attempt ended with Alva Campbell returned to his cell. In January, a juror raised questions about information withheld during the sentencing of Raymond Tibbetts, prompting the governor to order a new clemency hearing. In April, Ohio plans the execution of a man who may actually be innocent.

William T. Montgomery has been on Ohio’s death row for over 31 years for the 1986 murders of Cynthia Tincher and Debra Ogle in Lucas County (Toledo). He has always maintained his innocence from the time of his arrest. This case features the classic hallmarks of wrongful convictions: jailhouse informant, prosecutorial misconduct, hidden exculpatory evidence and leniency to a co-defendant in exchange for testimony.

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