“I ran away from my foster mother, became homeless, lived on the street for three years. Because I was handicapped I couldn’t get into an apartment building to get out of the snow. Your skin feels like it’s on fire when you’re that cold. I’d stand in the doorway, where bright lights shine on the manikins, and psych myself into believing I could feel the heat coming off the light bulb.”

We get, in all, twelve minutes of Daisy. The above words are a condensation of one of those minutes. The other eleven are just as intense, just as shocking, but spiritually soaring, as this wheelchair-bound woman — she contracted polio after swimming in a polluted lake — talks matter-of-factly about a life that seems like it should be broken beyond repair. She talks about her abusive father, the beatings, the flowers on the bedspread (her only toys), her “bright light” spiritual vision in an iron lung. Her words made me cry, not because of the horror, but because she was so happy, so full of a transcendent gratitude for nothing less than life itself.

“The decade ending in 2009 was the warmest on record, new surface temperature figures released Thursday by the National Aeronautics and Space Administration show…. 2009 was the second warmest year since 1880, when modern temperature measurement began. The warmest year was 2005. The other hottest recorded years have all occurred since 1998, NASA said.”

Global temperatures varied because of changes in ocean heating and cooling cycles. “When we average temperature over 5 or 10 years to minimize that variability,” said Dr. James E. Hansen, director of NASA's Goddard Institute for Space Studies, one of the world's leading climatologists, ‘we find global warming is continuing unabated.’"

-- John M. Broder NY Times Jan. 21

In the documentary “The Inconvenient Truth, Al Gore – remember him? – warned that greenhouse gasses and other sources of hydro carbons would increase, and threaten future planetary life. After issuing this filmic challenge, Gore advised citizens to recycle and buy gas-efficient cars.

The director of U.S. national intelligence told the House Intelligence Committee the government has the right to kill Americans abroad.

Here are 10 problems with this:

1. Acts that are crimes under national and international law don't cease to be crimes because you cross a border.

2. Acts that are crimes under national and international law don't cease to be crimes because you engage in them frequently. Assassinating non-Americans is just as illegal as assassinating Americans. The leap here is not to victims of a different citizenship but to the legalization of murder.

3. Killing people has nothing whatsoever to do with gathering so-called intelligence.

4. Even in this age in which senators and house members petition and write public letters to the president imploring him to obey laws, rather than introducing legislation, issuing subpoenas, holding impeachment hearings, or defunding agencies, the fact remains that Congress, above all, IS the government, and it is just not the place of the director of national thuggery to come in and dictate what the law will or will not be.

In the sixth grade, the Boys' Vice-Principal threatened to suspend me from school unless I stopped carrying around The Catcher in the Rye I think because it had the word "fuck" in it. Since the Boys' Vice-Principal hadn't read the book - and I don't think he'd ever read any book - he couldn't tell me why.

But Mrs. Gordon was cool. She let me keep the book at my desk and read it at recess as long as I kept a brown wrapper over the cover.

I think J.D. Salinger would have liked Mrs. Gordon. She wanted to save me from the world's vice-principals, the guys who wanted to train you in obedience to idiots and introduce you the adult world of fear and punishment. Mrs. Gordon wanted to protect the need of a child to run free.

That's, of course, how the word fuck got into Salinger's book. For the 5% of you who haven't read it, the main character of the book, Holden Caulfield, tries to erase the f-word off the wall of a New York City school. He doesn't want little kids like his sister Phoebe to see it, that somehow it would trigger an irreversible loss of her childhood innocence:

Last June we were handed an opportunity to block the funding of our illegal, murderous, counterproductive, catastrophic, and hated wars in Iraq and Afghanistan. The president insisted on an off-the-books "emergency supplemental" bill, and the Senate added an IMF bailout to the bill, leading all the Republicans in the House to commit what for years they'd called treason: they all voted No on war money.

So, we only needed 39 Democrats to vote No, and we could have stopped the thing, at least temporarily. We had a week-long knock-down drag-out fight, with the White House telling freshmen Democrats they would be "dead to us" if they didn't vote Yes. And we still persuaded 32 Democrats to vote No.

Then we continued building opposition to the wars, and awareness of the need to choose between wars and jobs. But we had to hope that we would again be handed a "supplemental" vote and that again some crazy scheme would be found to get all the Republicans to vote No. If these wishes could be granted, then we would only have to find 40 Democrats to stand with the majority of Americans, soldiers, Iraqis, and Afghans. Otherwise, we'd need 218 congress members.
Political satire and drama comes to the Columbus Performing Arts Center, Saturday, Feb 6, with the help of the Available Light Theatre company and the Phoenix Theatre for Children. The play, "Welcome to the Saudi Arabia of Coal," is about life in the coal fields of Appalachia where men and women chain themselves to heavy machinery to stop mountain top removal mining, and where others try to protect, sometimes violently, jobs the mining industry provides.send comments

"It's totally possible to conceive of an evening of theater that will be entertaining and moving but also have relevance to something very current,” said Matt Slaybaugh who writes and directs for the theater company and teaches at the Columbus College of Art and Design.

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