All Hands on Deck!  Tell Your Ohio Senator and Representative NO ON HOUSE BILL 6.

FIND your legislators and their phone numbers at http://legislature.ohio.gov. Call by July 16.

Ohio House Bill (HB) 6 is a huge proposed bailout for FirstEnergy, the electric utility that owns Ohio’s two nuclear power plants, Davis-Besse and Perry, both located on Lake Erie where they threaten the drinking water of millions. 

The latest incarnation of the ever-changing HB 6 would give FirstEnergy about $157 million/year through 2026. This would come from Ohio’s electric ratepayers – even those outside FirstEnergy territory. The regressive measure would add about $1/month to residential bills and would hit small businesses hard.  

Even worse, HB 6 also quashes Ohio’s renewable energy and efficiency standards.  Ohio is poised to be a leader in wind and solar development.  Efficiency mandates have so far cost Ohioans $1.5 billion and will save $8.7 billion over their lifetime. These benefits are being crushed by through legislative shenanigans.

Had Friday’s 7.1 earthquake and other ongoing seismic shocks hit less than 200 miles northwest of Ridgecrest/China Lake, ten million people in Los Angeles would now be under an apocalyptic cloud, their lives and those of the state and nation in radioactive ruin.    

The likely human death toll would be in the millions. The likely property loss would be in the trillions. The forever damage to our species’ food supply, ecological support systems, and longterm economy would be very far beyond any meaningful calculation. The threat to the ability of the human race to survive on this planet would be extremely significant.     

The two cracked, embrittled, under-maintained, unregulated, uninsured, and un-inspected atomic reactors at Diablo Canyon, near San Luis Obispo, would be a seething radioactive ruin.

Half a century ago artistic director Ron Sossi founded the Odyssey Theatre Ensemble, and since 1969 the company’s epic artistic odyssey has made this theatrical venue one of Los Angeles’ best, a repository of culture where this reviewer has enjoyed many a production. To commemorate and celebrate the auspicious 50th anniversary, it’s presenting the “Circa ’69” season, with revivals “of significant and adventurous plays that premiered around the time of the Odyssey’s 1969 inception,” according to a press release.

The first of the 10 such plays is Joe Orton’s Loot, which opened in the U.K. in 1965. Bart DeLorenzo, who directs the current production at the Odyssey, claims the British playwright’s work hasn’t aged. But I beg to differ - the punch of Loot has been diluted by time. Orton’s two act spoof of Agatha Christie-like mysteries featuring detectives Hercule Poirot and Miss Marple on the page and stage may have jolted auds 54 years ago, but for today’s theatergoers (many of whom did not return to their seats after intermission) Loot is passé. What was a “black comedy” when it debuted is now merely gray.

The annual Hollywood Fringe Festival took place in from June 13-30. According to the Fringe’s 200 page program: “The Hollywood Fringe Festival is an annual, open-access, community-derived event celebrating freedom of expression and collaboration in the performing arts community… Participation in the Hollywood Fringe is completely open and uncensored. This free-for-all approach underlines the festival’s mission to be a platform for artists without the barrier of a curative body. By opening the gates to anyone with a vision, the festival is able to exhibit the most diverse and cutting-edge points-of-view the world has to offer.”

Staged in around 30 theaters in the Hollywood area, the HFF is Los Angeles’ counterpart to the Edinburgh Festival Fringe in Scotland. In 2017, 2,000 performances and 375 shows were mounted during HFF. Theater artists travel from near and far in order to participate in this unfiltered fest. For example, the Polish-Australian troupe Drama Theatre Fantazja flew all the way from Sydney to present The Trial of Dali, an 80-minute play about the infamous surrealist painter, at The Complex Hollywood’s Ruby Theatre.