Introduction

When I began this essay I thought I aimed at a rather modest target, but the “story grew in the telling” and reached out further and further to interweave more and more threads, and therefore required much more time and thought than originally foreseen. Yet I believe the effort to have been worthwhile, opening a bit of new territory for socialism. It sets out from one of Rosa Luxemburg’s most enduring postulates and conjugates it with the topic of civil disobedience which, (as far as the author knows, has never been associated this giant of socialist thought.

One of the protagonists of the civil disobedience movement was Rosa Parks, the other “rose” to whom this monograph is dedicated to and honored in the title, for being as a quintessential representative of civil disobedience as understood and practiced by Gandhi and King.

A further disobedient rose worthy of recognition is Sandra Harris who reviewed this essay and recommended addressing “class morality.”

Zionism is a colonial movement invented in the 19th century to transform a
multi-religious Palestine to the apartheid “Jewish state of Israel”. It was
to be “a rampart of Europe against Asia, an outpost of civilization against
barbarism” (Herzl in the Jews’ State). This colonial racist idea remained
unchanged since founding of the “Jewish Colonization Association” in 1891
and the World Zionist Congress in 1897. Like all colonial movements, it
focuses on the dual task of destroying native life and creating new
exclusivist racist regimes and it gets support from empires and from
complicity.

Britain put the Al-Saud family in charge of the area of Hijaz (which was to
become the kleptocracy of “Saudi Arabia”). Abdul Aziz Al-Saud responded in
1915 to British requests by writing in his own hand: “I the Sultan Abdel
Aziz Bin Abdel Alrahman Al-Faysal Al-Saud decide and acknowledge a thousand
times to Sir Percy Cox the representative of Great Britain that I have no
objection to give Palestine to the poor Jews or to others as seen [fit] by

“Imagine being so bad at drumming that you become a Nazi,” someone tweeted in response to the recent and scandalous New York Times’

The game is afoot yet again, as Theatre 40 brings beloved Sherlock Holmes (stage and screen actor Martin Thompson, who has carved a niche out for himself depicting the detective) back, this time onto the stage, with a revival of Katie Forgette’s 2009 play Sherlock Holmes and the Case of the Jersey Lily. The “Lily” in question is English actress Lillie Langtry (Melissa Collins), who is being blackmailed.

What saves this play from being just another creaky Sherlockian retread featuring Sir Arthur Conan Doyle’s popular private investigator is that the playwright has cleverly taken the artistic liberty of commingling preexisting literary characters created by another author with actual historical personages and dramatis personae the writer has presumably cooked up herself. Alongside Holmes, Dr. Watson (John Wallace Combs) and that dastardly "Napoleon of Crime" Prof. Moriarty (screen and on-and-Off-Broadway thesp Dave Buzzota), Forgette has injected the real life Oscar Wilde (theatre and film actor Scott Facher) and the eponymous Lillie Langtry (an actual famed British actress) into this comedy-drama set in Victorian London.

The star-studded AFI FEST 2017, one of L.A.’s top annual film festivals, highlighted racism this year,with features and documentaries about African Americans, Native Americans, Australian Aborigines, etc. The film fete’s director, Jacqueline Lyanga, a young Black woman born in Dar es Salaam, Tanzania, helped bestow an international vibe on the Nov. 9-16 annual extravaganza, held this year in Hollywood. Amidst Tinseltown’s sturm und drang about race, gender discrimination and sexual harassment, the Festival included powerful films about racism, highlighted female talents and screened other politically-themed pictures. Here are some highlights: