Going to Shadowbox Live can be a humbling experience. The troupe’s so-called “metaperformers” are so busy, ambitious and talented that you can’t help feeling like a lesser species in their presence.
For a prime example of what they’re capable of, see Broken Whispers, an adaptation of F. Scott Fitzgerald’s The Great Gatsby that transforms the title character into a lesbian and tells her story through a combination of narration, dance and song. Radically changing a literary classic sounds like a dangerous endeavor, but the production is put together with such skill and ingenuity that it’s a wonder to behold.
And that’s just one of the shows currently being staged at Shadowbox. When you consider that the average troupe member juggles multiple productions with behind-the-scenes duties and even waiting tables, it’s hard not to conclude we’re dealing with a higher order of being here.
Fortunately for our egos, every once in a while the Shadowboxers put on a show that proves they’re only human after all. Such an animal is Shadow Zone, the troupe’s annual Halloween-season production.