Thursday, March 23, 8pm-12am
Rehab Tavern, 456 w. Town St.
Facebook Event
Columbus' longest-running burlesque troupe is putting on a show to tease, tempt, and titillate you, all with the goal of funding abortion access in Ohio!! That's right, IT'S A BENEFIT SHOW! We are raising money forWomen Have Options - Ohio, and it's sure to be unlike any show you ever seen!

Featuring some of your favorite Ooh-La-Las!
-Nezmia
-Peach Roulette
-Dolly Moxy
-Delphina Daydream
-Senator Wiggles
-Serge Le Sinister

and special guests!
-Femmi Le Freak 
-Terra Devine 
-Roxy vonTeddy
-Eileen Galvin
-Lola Banana
-Dimples Diamond

Poetry by:
-Su Flatt
-M. Shaw
-Fayce Hammond
-Rachel Wiley

Comedy by:
-Lauren Bencaz

Tuesday, March 21, 6-8:15pm
Transit Arts, 1150 E. Main St.
FACEBOOK EVENT

Set around the turn of the last century in New London, Connecticut - where young Eugene had summered - O’Neill’s 1933 Ah, Wilderness! is a marked departure from his usually gloomy plays, fraught with familial Sturm und Drang. Indeed, with their happy if imperfect lives, this comedy’s Millers are the polar opposites of those long suffering characters in his angsty final dramas, such as The Iceman Cometh, Long Day’s Journey into Night and A Moon for the Misbegotten. Indeed, one could say that the Millers are the family O’Neill wished he had grown up in, rather than the tense, dysfunctional, substance-abusing unit he had the misbegotten misfortune to have been born into.

In 1968 Simon and Garfunkel sang: “Someone told me it’s all happening at the zoo. I do believe it, I do believe it’s true.” And after witnessing Deaf West Theatre’s production of Edward Albee’s At Home at the Zoo I’ve become a true believer. Serious theatergoers shouldn’t monkey around - head down ASAP to the Wallis Annenberg Center for the Performing Arts to catch this run, which is short on number of days but long on profundity, leavened by Albee’s wicked wit about the human (or lack of) condition.

This is a very unique live stage experience delivered in a singular way on the boards of the Wallis’ 150-seat Lovelace Studio Theater. In both acts two hearing impaired thesps perform onstage, using facial expressions, body language and American Sign Language. Offstage, or on the side of the set, a pair of actors literally give voice to what the onstage pair of protagonists are communicating via ASL.